Matsudo as microcosm

Many municipalities in Japan have local natural history museums, and the one in Matsudo, a Chiba Prefecture bedroom community about 45 minutes by train from central Tokyo, is typical even if its summary explanation of purpose may sound inadvertently funny: “From the birth of humanity to the Tokiwadai housing complex.” It’s the juxtaposition of the epic with the plebeian, but the exhibit itself, which does exactly what it claims to do, provided a thorough encapsulation of socioeconomic development in Japan from the standpoint of what can only be described as “the average person.”

As with all natural history museums, Matsudo’s traces the area’s geological makeup and how its proximity to the river that flowed from the north into what is now Tokyo Bay, which shifted greatly over time, determined its economy. However, with no natural resources or development of special technologies that could take root and turn into ongoing regional industries (salt processing and pear growing were successful endeavors, but only for short, isolated periods), Matsudo’s most salient feature was and still is its topography: valleys called “yatsu” etched between plateus called “dai” and lowlands that straddled rivers called “shitaya.” Each was distinct geographically (dai were at least 30 meters above sea level, yatsu 10 meters, and shitaya 2 to 5 meters) and economically. Rice farmers lived in the shitaya, which often flooded during the typhoon season. The houses and, especially, grain storage facilities were built on man-made elevations to keep them dry. They were also built close to one another and in columns that stretched north to south, with the entrances facing south, often in “terrace” formations. The direction was important because the often destructive winds that would seasonally race through the lowlands came from the north and the west. This might explain the Japanese obsession with positioning housing is a southward orientation, regardless of the view such positioning provides. Read More

The tako squat

Otako manager redirects traffic from former site to future location

On the morning of Dec. 16, the famous Otako takoyaki (octopus dumplings) stand in Osaka’s thriving Dotonbori district finally pulled up stakes under pressure from municipal authorities, who were set on removing the stand later that day. The stand had been doing business at that particular location since 1972 and was a certifiable if not necessarilly certified local landmark since it was actually featured in an official tourist brochure for Osaka. However, Otako has always been squatting; that is, using public property without permission. And it might have gone on using the small patch of concrete near the entrance to Tazaimon Bridge in perpetuity if it hadn’t tried to take advantage of an obscure legal principle. Read More

What’s a measly seven centimeters?

Looks straight to me: Umeda Gate Tower

The Umeda Gate Tower, a 21-story office building located near Osaka Station, was completed two years ago, but it was only in the past week that the media has reported that the structure is flawed. Before that, the city of Osaka officially reprimanded the general contractor in charge of construction, Kashima Corp., which has since issued assurances that the building is totally safe.

One of the primary vertical steel pillars on the third floor of the building is apparently 7 centimeters off the plumb line, meaning it is not perfectly perpendicular to the base. An unnamed sub-contractor realized the flaw before work on the floor was completed but did nothing to correct it. The company’s workers also failed to inform Kashima of the defect and then falsified the required documentation for the work. These documents were given to the building owner before safety checks were carred out.

Eventually, one of the men who worked for the sub-contractor revealed the defect on the Internet, which is how Kashima and the city of Osaka first found out about it sometime in the fall. Kashima says it carried out an inspection and concluded that the defect does not in any way compromise the structural integrity of the building. The media, however, did not report the story until Dec. 15, by which time the controversy was mostly over. Most of the stories, in fact, did not even identify the building, and none of them analyzed what a 7-centimeter tilt to a third-story vertical pillar means in terms of safety. We just have to take Kashima’s word.